FULL OF LIFE Lt Gen Mote Dar and his paintingsHe speaks of the wars of 1965 and 1971 in the same breath as the poetry of T.S. Eliot and Kalidasa. He links strategic military command and the creation of art. Meet Lt Gen (Retd) Mote Dar — former Vice Chief of Army Staff and the man who paints — and speaks — like a poet.
Dar was in Chennai recently for the first showing of his exhibition “Inner Vision Outer Truth” at Prakrit Art Gallery.
He’s been painting for a long time — he had his first exhibition as a young captain in the Indian army back in 1965 — but this set of works is almost entirely new, created in the last few months.
“I continued to paint even as a junior and senior officer, but in the last part of my career, when I became General Officer Commander-in-Chief Southern Command, and then basically the number two man in the army, it was very difficult to find the time,” he says.
Now, of course, he has all the time in the world, so he’s chosen to experiment with oils — he did mostly only water colours before, because they were quicker — and with numerous themes, from a depiction of the seasons of the year to surrealist abstracts.
“In Indian poetry, the seasons of the year have been written about from time immemorial — from Kalidasa to Guru Nanak — linking the different months with festivals, with emotions of separation and union,” he says. “So, I thought I’d do a contemporary re-imagining of them.”
The result is a series of radiantly-coloured paintings filled with lively, abstract imagery of flowers blooming in spring and children playing in the monsoon — a joyful celebration of the seasons. On the other hand, his surrealistic ‘On the thorns of memory’ series is more enigmatic, using more light and shade and Freudian symbolism in the midst of swirls of thick, strong colour.
“I see painting more in terms of an inner awakening, as a form of meditation that drives away your stress, and helps in self-actualisation,” says Dar, who was part of the 1965 and 1971 wars, wounded in the latter.
Creative thinking
He adds: “I also believe it aids in the creative, out-of-the-box thinking that’s so essential in strategic military command — when big armies are on the move, you need to be able to envision their movements in time and space.”
Not surprisingly, one of the most powerful series of paintings in the exhibition has to do with war — a pair of abstracts bearing a single inscription across a solid wall of colour. Starkly gorgeous is the one in the vibrant green of the valleys of Kashmir with a quote from Jahangir in Persian above, and a single trail of blood below. “When Jahangir went to Kashmir, he’s supposed to have said, ‘If there is a paradise on earth, it is here, it is here, it is here’,” says Dar, who is Kashmiri but has had to leave his troubled home state to live in Pune. “But now, it is all tears and blood and coffins.”
However, the collection of 29 paintings pulses with life, much like the man himself. The exhibition is on until February 27.
DIVYA KUMAR
Art and Awakening: Mote Dar’s works are sheer poetry
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